This conference is funded by the Interuniversity Attraction Poles Programme initiated by the Belgian Science Policy Office and by the University of Liege.
| Registration |
|
| 9.30–10.00am |
|
| Keynote |
|
| 10.00–11.00am |
| ANTOINE HENNION (Paris Mines Tech) |
|
| Morning break |
|
| 11.00–11.30am |
|
| Organology/Social construction of technology |
|
| 11.30am–12.00pm |
| MATT BRENNAN (University of Edinburgh) |
| The history of mundane drumming and keeping the beat |
|
| 12.00–12.30pm |
| PAUL HARKINS (University of Edinburgh) |
| The Art of the Loop and the Rise of the Programmer |
|
| Lunch |
|
| 12.30–1.30pm |
|
| Case studies |
|
| 1.30–2.00pm |
| AINE MANGAOANG (University College Cork) |
| Repetition, disco and emotion in David Byrne’s Here Lies Love |
|
| 2.00–2.30pm |
| GABRIELE MARINO (University of Turin) |
| Harlem Shake: Semiotics of a “formulaic breakdown |
|
| 2.30–3.00pm |
| ANDREW AZIZ (Florida State University) |
| Repetition and Formal Destruction in Death Cab for Cutie |
|
| 3.00–3.30pm |
| GONZALO FERNÁNDEZ MONTE (Universidad Complutense Madrid) |
| Jamaican harmonic and formal structures making their way into Western culture |
|
| Afternoon break |
|
| 3.30–4.00pm |
|
| Analysis/Theory |
|
| 4.00–4.30pm |
| OLIVIER JULIEN (Paris-Sorbonne University) |
| From ‘sectional refrains’ to repeated verses: the rise of the AABA form |
|
| 4.30–5.00pm |
| GERRY MOOREY (University of Gloucestershire) |
| ‘Joy in repetition’: a comparison of pop songs from three different decades |
|
| 5.00–5.30pm |
| PAUL CARTER (SUNY College at Oneonta) |
| The re-invention of the four-chord song in the 2000s |
|
| Keynote |
|
| 9.30–10.30am |
| ANNE DANIELSEN (University of Oslo) |
|
| Morning break |
|
| 10.30–11.00am |
|
| Dance music |
|
| 11.00–11.30am |
| NOËMIE VERMOESEN (University of Rennes 2) |
| Chronicles of repetition: The example of disco |
|
| 11.30am–12.00pm |
| GUILLAUME DUPETIT (Sandberg Instituut) |
| Layers of Repetition in Funk Music |
|
| 12.00–12.30pm |
| ADAM YODFAT (Hebrew University of Jerusalem) |
| ‘Big Beat’: Form as a synthesis of EDM accumulative procedures |
|
| Lunch |
|
| 12.30–1.30pm |
|
| Moving images |
|
| 1.30–2.00pm |
| KRISTIN MCGEE (University of Groningen) |
| Star texts, self-fashioning and public intimacies in Beyoncé’s audiovisual œuvre |
|
| 2.00–2.30pm |
| MANUEL GARIN (Universitat Pompeu Fabra) |
| Difference in repetition: the use of loops in contemporary cinema |
|
| 2.30–3.00pm |
| INDRANIL ROY (Independant Researcher) |
| The three ages of mainstream Bollywood Music |
|
| 3.00–3.30pm |
| FANNY REBILLARD (Paris-Sorbonne University) |
| Personal stories and video games |
|
| Afternoon break |
|
| 3.30–4.00pm |
|
| Psychology |
|
| 4.00–4.30pm |
| JOE BENNETT (Bath Spa University) |
| Soundalikes as cultural repetition: allusion, earworms and copyright |
|
| 4.30–5.00pm |
| KATHRYN COX (University of Michigan) |
| Bricks in the Wall: Repetition and traumatic narrative in Pink Floyd’s The Wall |
|
| 5.00–5.30pm |
| KENNETH SMITH (University of Liverpool) |
| Cybernetic groove cycles and the mysteries of desire in Arab Strap |
|
| Keynote |
|
| 9.00–10.00am |
| ROBERT FINK (University of California, Los Angeles) |
|
| Morning break |
|
| 10.00–10.30am |
|
| Minimalism(s)/drone I |
|
| 10.30–11.00am |
| ELIZABETH LINDAU (Earlham College) |
| ‘Boring Things’: Repetition and drone in the music of the Velvet Underground |
|
| 11.00–11.30am |
| MAXIME COTTIN (University of Nice Sophia Antipolis) |
| Rock gamelan and minimalism |
|
| 11.30am–12.00pm |
| HILLEGONDA RIETVELD (London South Bank University) |
| Dancing on the Edge of a Black Hole |
|
| 12:00–12.30pm |
| VICTOR SZABO (University of Virginia) |
| ‘In the Spirit of Satie’: How Brian Eno Domesticated ‘Furniture Music’ |
|
| Lunch |
|
| 12.30–1.30pm |
|
| Jazz |
|
| 1.30–2.00pm |
| KEITH SALLEY (Shenandoah University) |
| Of periodicity and aperiodicity in Jazz |
|
| 2.00–2.30pm |
| PHILIPPE MICHEL (University of Paris 8 Vincennes-Saint Denis) |
| Signifyin’(g) repetition in John Coltrane’s Giant Steps |
|
| 2.30–3.00pm |
| MATHILDE ZAGALA (Paris-Sorbonne University) |
| Three-over-four repetitive rhythmic pattern |
|
| 3.00–3.30pm |
| ROBERT GLUCK (University at Albany-SUNY) |
| Not your parents’ ostinato |
|
| Afternoon break |
|
| 3.30–4.00pm |
|
| Minimalism(s)/drone II |
|
| 4.00–4.30pm |
| DENNIS PERREAUX (University of Rennes 2) |
| Math rock: avoidance of strict repetition and self-explanatory composition |
|
| 4.30–5.00pm |
| TOBIAS TSCHIEDL (University of Vienna) |
| Analysing the music of Alan Vega and Martin Rev (alias Suicide) |